Published on the occasion of Soft Cells, curated by Transit Arts, March 2018.
Including introduction by Marcus Jack, poster print of a still from Fern Silva’s The Watchmen (2017), and an extract from Melissa Gronlund’s essay “Return of the Gothic: Digital Anxiety in the Domestic Sphere”, first published in e-flux, January 2014.
Double sided A3 risograph print in teal and black, designed by Marcus Jack.